What von Bahr, Kiilunen and others tell me repeatedly is that the warhorses and Sibelius stuff pays for the Rosenberg symphonies, Rautavaara, Klami, etc. Without that stuff they can't pay the bills. Capitalism.
I could understand this point IF BIS had the slightest intention of actually recording the Rosenberg symphonies...but since they, apparently, have no such intention I am somewhat less sympathetic

The general point is undoubtedly valid and we should indeed be immensely grateful for the quite amazing volume of recordings of previously unknown repertoire that has been recorded over the last decade. We owe a huge debt of gratitude to companies like Chandos, Hyperion, Dutton, BIS, Ondine etc etc but the more we get (and the older I get

) the more impatient I become for those items which still remain unrecorded.
Rosenberg was one of the greatest Swedish composers of the 20th century and now that we have all the Alfven, Peterson-Berger, Atterberg, Rangstrom, Wiren, Pettersson, Blomdahl, Larsson symphonies on disc, almost all the Natanael Berg and a promised cycle of Kallstenius, the omission of Rosenberg stands out like an enormous sore thumb
