I second the adoration. I cannot really judge what Handley might have been like with non-British works, as I haven't heard him perform any, but it seems unlikely that he suddenly lost his marvellous ability to conduct, as seen, for example, in his Bax symphonic cycle, as soon as a composer with a different passport appeared: it seems utterly illogical. Far more likely, this is just another example of the kind of prejudice hurled against British music: that it is all a little bit staid and square, lacking in any real invention. Utterly untrue, but I think we have all seen it, and it still goes on. The latest being the absurd claim description of the Gothic as "a second-rate piece of music" in the latest "Gramophone", which has persuaded me to stop taking that magazine.