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There are also the 3 Concert Fantasies Op. 63 for piano & orchestra, mss. of which are in the Szechenyi Library.
I'm not sure that the E major PC without opus number is complete. Szechenyi never replied to my enquiry about that  which, admittedly, I sent during the COVID outbreak.

That is my opinion, based on the scores of his which I have managed to see so far. The Hungarian State Library digitised the ms. 2nd piano concerto for me, I have a photocopy of the printed Piano Sonata, and I have seen the scores at the BL (the Symphonie hongroise, Op. 17; Serenade for strings, Op. 24 and Cello  concerto, Op. 44).

But the piece itself is worthy, and I think Major is a truly undeservedly unsung composer.

I sympathise, Alan. I nearly gave up altogether. Some of the sounds are unbelievable - there's a trill on the bassoon at one point which sounds like someone beating a tom-tom with a toothbrush! And the flutes resemble a harmonium stop - and that's being kind. I hope it doesn't put people off.

If you can get through it, the realisation shows what a fine and beautiful work this could be and, IMHO (one I have long held), deserving of a good professional recording with a real orchestra and soloist. We must be grateful for Mr Hoffman's efforts in producing this realisation, but the primitive sound fonts make it, as Alan says, a rather "trying" listen.

Well, the Henselt is scored for an orchestra of: 2.2.2.2 / 2.2.3.0 / timp / strings
The Bronsart calls for an orchestra of: 2.2.2.2 / 4.2.0.0 / timp / strings

So the string section might sound a bit lean. I don't know. We must wait and see.

Well, quite. Let's hope we are both wrong and our fears prove unfounded.

Oh dear! So do I.

Rutland Boughton's Symphony No. 1 "Oliver Cromwell" contains a part for baritone solo in the last movt.

Don't get me started.

New to me too. Very attractive music from the available soundbites.

No. I was referring to Julius Lange whom hitherto I have known only as a pianist and composer of solo piano music. I'm not confusing him with Gustav.

You are quite right, Martin. That's a major error. Someone needs to point this out to Hyperion.

I must just add my thanks, Martin, for your rendition of this lovely piano concerto. It is quite a find IMHO. I have enjoyed discovering it very much indeed. I never knew Lange had composed one. I too, like semloh, was reminded of Litolff in the finale - thoroughly delightful.

I don't think so - at least, I certainly hope not. It is worth remembering that the Reinecke disks were scheduled for recording a while before Hyperion sold out to Universal. I will try to contact Simon Perry soon by telephone (if I can) and have a chat with him.
Simon Callaghan too might be able to tell me if he has been contracted to record any more for the RPC series.