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New Recordings & Broadcasts / Re: Godard: Dante
« Last post by Alan Howe on Today at 22:26 »
My goodness, Dante is a terrific score. Quite dark to start with and containing some strenuous writing for the tenor lead - well sung here, thank goodness (by Edgaras Montvidas). More when I have absorbed more of the opera...
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Composers and Music / Re: Sergey Taneyev
« Last post by eschiss1 on Today at 22:04 »
Checking know.freelibrary.org I see scores and/or reductions of his E minor and D minor symphonies (not the new MPH reprints- the existence of which doesn’t prove PD status btw) - but not quartets 7-9.
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Composers and Music / Re: Sergey Taneyev
« Last post by dhibbard on Today at 21:28 »
I would check with Edwin Kalmus in the USA.. they usually have this type of music...  you also might check with the Free Library of Philadelphia..(Fleisher Library)  they usually will let you rent their parts.

https://libwww.freelibrary.org/locations/departments/fleisher-collection

http://www.efkalmus.com/

they are in Florida   good luck 

I may have a copy of the score.
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Composers and Music / Rikard Nordraak (1842-1866)
« Last post by UnsungMasterpieces on Today at 20:42 »
This Norwegian composer is quite intriguing to me (and not just because he died so young!), but also because of his importance in Norwegian nationalist music.
Wikipedia states:

Rikard Nordraak was born and grew up in Oslo, Norway. His family came from the Nordraak farm in the Randsfjorden area in the county of Oppland. His father was a brother of Inger Elise Nordraach, the mother of the Norwegian writer and poet, Bjørnstjerne Bjørnson.

Nordraak's musical gifts became evident at an early age, but as for many other artists at that time, a different career was already planned. He was going to pursue a career within business, and when he was fifteen he was sent to business school in Copenhagen. Nonetheless his musical interests prevailed and instead of studying business he ended up studying music, and in 1859 he went to Berlin for advanced studies. After six months he had to return home and he continued studies in Oslo, and his first compositions came during the winter of 1859–60. In 1861 he went back to Berlin to continue his studies, and he stayed there for two more years.

The compositions that he himself marked opus 1 were published in 1863, and contained six songs with texts by his cousin Bjørnstjerne Bjørnson, amongst others. At this time Nordraak also composed Ja, vi elsker, which became the Norwegian national anthem. It was first performed publicly on 17 May 1864 in connection with the 50th anniversary of the Norwegian Constitution. The lyrics were written by Bjørnson between 1859 and 1868.

In 1864, he met Edvard Grieg in Copenhagen and inspired him with the idea of devoting his genius to Norwegian melody and the cultivation of a specifically national art. Nordraak later wrote incidental music for Bjørnson's plays Maria Stuart of Scotland and Sigurd Slembe. He published his opus 2, Five Norwegian Poems, consisting of songs and poems by Bjørnson and Jonas Lie. This was the last of his compositions that would be published during his lifetime.

In May 1865 he returned to Berlin to continue his education, but he was stricken with tuberculosis in October and died in Paris the following March, only 23 years old. He was buried in Kirchhof Jerusalem in the Berlin neighborhood of Kreuzberg (Friedhof IV der Gemeinde Jerusalem – und Neue Kirche). In 1925, Nordraak's coffin was brought home to Norway and buried in the Honor Grove at Vår Frelsers gravlund in Oslo.

Nordraak did not live long enough to produce much music. About forty compositions, mostly smaller works like songs, pieces for male choir and a few piano compositions, have been preserved. The biggest of these compositions, is the Scherzo Capriccio for piano solo, given the opus number 3, published posthumously by Edvard Grieg. This is a kind of rondo, using several features from Norwegian folk music; rhythms typical in slåtter, and dissonances typical for the hardingfele. However, the thematic material does not have this connection with folk music. Rikard Nordraak. Samlede verker, a critical edition of Nordraak overall compositions were published by Øyvind Anker and Olav Gurvin (1942).

With his passionate patriotism and great love for folk music, Nordraak's main contribution to Norwegian music history was to be an inspiration for contemporary composers, such as Grieg. When Grieg heard of Nordraak's death, he composed the Funeral March in Memory of Rikard Nordraak (Sørgemarsj over Rikard Nordraak). Part of his life story was dramatised in the musical Song of Norway.


This year a CD was released by LAWO Classics, featuring multiple songs and piano works. There are some enchanting pieces here that I highly recommend (especially Valse-Caprice & Melodi).
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Composers and Music / Re: Sergey Taneyev
« Last post by sdtom on Today at 13:38 »
Thanks for  clearing up any possible confusion. The CD is a good one.
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New Recordings & Broadcasts / Re: Pixis piano trios
« Last post by eschiss1 on Today at 00:08 »
Apologies for the obscure joke, and I do look forward to the release, in truth.
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Great, of course - although it's actually a reissue of the recording originally on the Pannon Classics label discussed here: http://www.unsungcomposers.com/forum/index.php/topic,2981.0.html
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How about this:
Beliczay: Symphony No. 1 & Serenade
Budapest Concert Orchestra, Tamas Gal
Release date:3rd Nov 2017

http://www.prestoclassical.co.uk/r/Sterling/CDS1115

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Composers and Music / Re: Alf Hurum
« Last post by Richard Moss on Yesterday at 19:12 »
My apologies -the album IS listed but is NOT available!

Sorry

Richard
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