Thanks a lot for the Johanson latvian, this early symphony is already atonal ( like the 10th), I'm not very fond of atonality but I like the way he makes use of it : it's robust, dense and highly polyphonic.
BEFORE POSTING read our Guidelines.
This section allows you to view all posts made by this member. Note that you can only see posts made in areas you currently have access to.
Show posts MenuQuote from: semloh on Wednesday 11 January 2012, 09:54
Many thanks for the uploads of music by Monrad-Johansen - interesting music and a totally new name to me.
This must be the week for unpleasant composers, though, having had uploads of music by John Powell, because according to Wiki:
During the German occupation of Norway in the course of World War II, Johansen supported the collaborationist government of Vidkun Quisling, and during the period of 1942-1945 was a member of the Nazi-appointed Kulturting (Cultural Council).
Quote from: fr8nks on Tuesday 03 January 2012, 15:28Vitali Gubarenko (b.1934)Symphony No.1 (1961)
1. Moderato
2. Allegretto
3. Andante
4. Allegro vivo
USSR Radio Symphony Orchestra
Igor Blashkow, Conductor
Melodiya LP D 030 393
This is a beautiful and uplifting symphony from beginning to end by a Ukrainian composer. If there is more music by this composer please upload it.
http://www.mediafire.com/?8866rhcd9q9hjv4,bng8e7okb3e914l,up24lr978f2lebc,920p9zi83whlfr3
Quote from: Dundonnell on Saturday 03 December 2011, 01:35
shamokin has very quickly rectified the Symphony No.8 which is now uploaded in its entirety.
Quote from: Latvian on Sunday 13 November 2011, 00:31QuoteThe first Symphony is actually a piano piece ( which one BTW ?)
I've never heard that claim before! Very interesting...
I took a look just now at a couple of books by Latvian musicologist Ludvigs Kārkliņš, where he discusses Ivanovs' symphonies in some detail (one book is entirely devoted to Ivanovs' symphonies), and he doesn't make this claim. He does state, in the other book, that the work was Ivanovs' graduation piece for his composition class with Jāzeps Vītols at the Latvian Conservatory, so I would infer that Vītols expected him to create a completely original work for this purpose.
Nor does musicologist Arvīds Bomiks mention any such origin in his worklist of Ivanovs' music for Musica Baltica.
I'm curious -- where did you read or hear this? I'll be very interested to do further research if it is indeed the case!