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Messages - Justin

#1
Release date is May 20th.

#2
Yes it is performed rather poorly with thin strings. Are you familiar with the orchestra?
#3
Forthcoming May 3rd on Sterling:

La Part du Diable (1843)
https://www.prestomusic.com/classical/products/9612880--auber-la-part-du-diable

#4
What is your opinion on the Lachen performance versus the Leipzig one?
#5
The recording is excellent. I still prefer the Lachen performance as I feel the baritone puts a bit more passion and feeling into it, but this CD is highly recommended for sound quality and hearing all of the orchestral textures.
#6
Quote from: Alan Howe on Saturday 02 March 2024, 22:32I still hold out hope that something worthwhile will emerge from Prout's oeuvre.

Off topic from the concerto, but I want to reply directly to your message, Alan. Do you like his 4th symphony? I find it the most memorable of his works.
#7
Concur. It's one of those works you listen to out of curiosity to see what was lost to history, then realize exactly why it was lost. Doesn't hurt as background music.
#8
Found on YouTube a performance of Prout's Clarinet Concerto performed by the Greenwich Chamber Orchestra with David Cutts conducting and Peter Cigleris on the clarinet. According to the video, it is a world premiere performance.

https://www.youtube.com/watch?v=LIETCwZdYxY

Similar to Prout's fourth symphony which I posted in higher quality here a couple months ago, the concerto sounds like it was written in a late classical or early romantic style. I recommend that everyone reads the description of the video as it gives an interesting story on how the work was discovered.
#9
This is awesome! I had a feeling after its performances in 2022 at Lachen and Leipzig that this work would soon be commercially released.

I am unsure from the cover if this is the May 2022 Lachen performance (the one I attended and currently posted on this forum) or the June Leipzig one or a studio recording. The Lachen one has a flub by the oboe in the beginning of the third section and a mishap by a violin being unable to play for a couple minutes at some point in the first section. The vocal performances by Wolf and Rheinhold are outstanding.
#10
Recordings & Broadcasts / Re: La Belle Dame
Tuesday 13 February 2024, 14:47
Exciting! I'll definitely be purchasing this for the Quilter, Delius and Mackenzie tracks.

Presto is showing the release date to be in April. Is it usually available 2 months earlier from EM?
#11
Just received my copy and would recommend that everyone give this a try. The three songs by Heinrich Heine are in particular very beautiful, with my favorite being Wo? from 1906. Der frohe Wandersmann from 1904-1909 is a very cheerful work reminiscent of Leo Blech, and Graziella Contratto's orchestral arrangements are vibrant and sound like Schoeck.

Olena Tokar is a passionate singer who knows when to be subtle and solemn as well, and I am looking forward to her performance on the Samson recording.
#12
Has Radio 3 ever done a "Composer of the Week" on Raff?
#13
Composers & Music / Re: Ebenezer Prout
Saturday 30 December 2023, 00:53
Quote from: Mark Thomas on Thursday 03 December 2009, 14:39Further to Martin's mention of the BBC broadcast of Prout's Fourth Symphony, a kind friend has just sent me a recording of the broadcast.

Just uploaded a much higher quality version of the recording, which includes the radio announcer's biographical description of Prout and the work.
#14
Set for release by Schweizer Fonogramm soon. Includes the following:

Nachhall (Reverberation), Op. 70 (1954)
Three Songs by Heine, Op. 4 (1906)
Eight Songs, Op. 17 (1904-09)



https://www.schweizerfonogramm.com/en/cd/nachhall-song-cycles-with-orchestra-by-swiss-late-romantic-othmar-schoeck-1886-1957/
#15
Quote from: Alan Howe on Sunday 03 December 2023, 20:28Listening to the opening of the first movement I'm struck by the extra 'fizz and zip' of the performance under Gaudenz.

I also notice this in the second movement with the crisp pizzicato of the basses and also the hopping woodwinds.

In general, I find that the sound on this is the most superior, as I can more distinctly hear the woodwinds.

I'll be keeping an eye out if Gaudenz will be taking a crack at the other symphonies. It's clear that he brings a much-needed perspective to Raff's later symphonies.