Believe me I share your wish for Theriot and some others too but I don't know what an enterprising label is in 2024, particularly for orchestral music. I am more familiar with the US but the pandemic was rather devastating for the classical music field here. Yes the few classical music organizations that are in the largest cities like New York, Chicago and LA are perhaps about back where they were in 2019 but even those have had losses in season subscriptions which is worrisome. The second-line cities like Detroit or Cleveland are starting to sink. The breakup of the Soviet Union created some openings in the 90s and 00s for cheaper orchestral recordings in Russia and Eastern Europe but those are pretty much gone for different reasons.
I would think some crowdsourcing vehicle is more likely than relying on labels which are facing a rapidly shrinking CD and download market. In the US, CDs are actually well below vinyl now in both revenue and units sold. Even more feasible IMO would be the transcription of these symphonies for well done computer playback. Given that many people now listen to MP3s on their computer or mobile device one need not worry overly much about audiophile considerations. Just my thoughts but I do share your concern.
I would think some crowdsourcing vehicle is more likely than relying on labels which are facing a rapidly shrinking CD and download market. In the US, CDs are actually well below vinyl now in both revenue and units sold. Even more feasible IMO would be the transcription of these symphonies for well done computer playback. Given that many people now listen to MP3s on their computer or mobile device one need not worry overly much about audiophile considerations. Just my thoughts but I do share your concern.