Theodore, are you cooperating with Bartje Bartmans recently? What are your newly discovered recordings aside from what he has uploaded?
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Show posts MenuQuote from: TerraEpon on Friday 19 April 2024, 01:26Also I don't think anyone's mention the other Alfano recording they just released?I did, so the topic resurfaced!
https://www.naxos.com/CatalogueDetail/?id=8.574533
Quote from: Ilja on Wednesday 27 March 2024, 18:35from the late 1850s (IMSLP) to 1882/1883 (German Wikipedia)There's the problem of giving a composition date or a publication date. I think for most of his compositions, the dates from 1880s and 1890s are publishing dates.
Quote from: eschiss1 on Saturday 23 March 2024, 02:42Back when I was attempting to compose, I remember hearing one of Beethoven's cello works in concert, had never heard it before, rondo tune stuck. I soon forgot who wrote it and some years later (just) started writing the opening of a piano quintet on a very similar theme, thinking it mine (after checking it wasn't by the composers who it brought to mind. Then I heard the Beethoven on the radio and that was that. So yep.I've experienced that, too. I unconsciously took the opening phrase of Halm's Symphony, slightly adjusted it, and used it as the theme in a piano sonatina. Fortunately not too long after that I realized where I got that tune from.
Quote from: eschiss1 on Thursday 21 March 2024, 03:08I have the score of symphony no.3 in D-flat major (finale in, and ends in, in C# minor) on my table borrowed from U. Houston.The third one is really amusing. It borrows from Schoenberg's Pelleas a clarinet passage not long into Mov I, and the beginning of Mov II is entirely from Busoni's PC.
Quote from: Gareth Vaughan on Sunday 10 March 2024, 12:44II never knew Lange had composed one.
Quote from: Alan Howe on Saturday 09 March 2024, 19:26I'm sorry to say that I find Senfter's relentless, shifting chromaticism virtually unlistenable for any length of timeI listened to her Clarinet Quintet a few months ago and have the same feeling. She inherited the worst traits of Regerite chromaticism. It is aimless and empty, instead of angular.
Quote from: eschiss1 on Thursday 01 February 2024, 23:11Napravnik's concerto symphonique is non-traditional but still Romantic... (and the composer is Czech/Russian, but still.)Yeah, I totally forgot about this one. This is definitely more romantic than the Classical-oriented Dvorak one. Though it gave me a lightweight impression.