Thx to Latvian for the Dobias Sinfonietta, this interesting work was new to me. I have two more works by this composer on LP's I never played, this thread will give me the opportunity to transfer and upload them within a few weeks :
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Show posts MenuQuote from: semloh on Sunday 01 April 2012, 11:29
Gosh! The Rod McKuen symphony! It's very 60s, the themes are unmemorable, the orchestration alternates between simple and pretentious, and I kept thinking of Richard Clayderman!
But - sincere thanks for uploading it - it IS good to have the opportunity to hear it.
A large picture of the LP cover can be found at: http://eil.com/shop/moreinfo.asp?catalogid=539892
I'd love to hear his Concerto for Four Harpsichords & Orchestra (same conductor, different LP). Who knows - it might be brilliant!
Quote from: shamokin88 on Wednesday 14 March 2012, 13:54
Eugene Goosens: Variations on a Theme by Goosens
Cincinnati SO/Eugene Goosens [premiere; 23 March 1945]
http://www.mediafire.com/?cl5fyfac9eymxli
A word of explanation. This comes from a request. I hesitated for a while, where to put it. I was given the welcome suggestion to stow it under "American" since that is from where most of the notes come. But I decided to ignore that advice because the theme and the impetus were British. Anyway, in order, the variations come from Paul Creston, Aaron Copland, Deems Taylor, Howard Hanson, William Schuman, Walter Piston, Roy Harris, Anis Fuleihan, Bernard Rogers and Ernest Bloch, an appropriate selection from then-current American composers whose works you would have heard in our concert halls in 1945. Only the Cyprus-born Fuleihan [1900-1970] has passed from view.
From a broadcast.
Quote from: shamokin88 on Wednesday 14 March 2012, 13:54
Eugene Goosens: Variations on a Theme by Goosens
Cincinnati SO/Eugene Goosens [premiere; 23 March 1945]
http://www.mediafire.com/?cl5fyfac9eymxli
A word of explanation. This comes from a request. I hesitated for a while, where to put it. I was given the welcome suggestion to stow it under "American" since that is from where most of the notes come. But I decided to ignore that advice because the theme and the impetus were British. Anyway, in order, the variations come from Paul Creston, Aaron Copland, Deems Taylor, Howard Hanson, William Schuman, Walter Piston, Roy Harris, Anis Fuleihan, Bernard Rogers and Ernest Bloch, an appropriate selection from then-current American composers whose works you would have heard in our concert halls in 1945. Only the Cyprus-born Fuleihan [1900-1970] has passed from view.
From a broadcast.