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#41
As there's been a bit of discussion about some Russian composers of Greek descent recently (Kalafati, Zolotarev/Kuyumzhi, Axiotis), I thought I would post up about another one.  He has been mentioned in passing before.

Achilles Nikolayevich Alferaki
Ахиллес Николаевич Алфераки
Αχιλλέας Αλφεράκης

http://en.wikipedia.org/wiki/Achilles_Alferaki

Achilles Nikolayevich Alferaki ("Achilles" sometimes spelled Akhilles or Ahilles, July 3, 1846, Kharkov, Russian Empire – December 27, 1919, Saint Petersburg, Soviet Union) was a Russian composer and statesman of Greek descent. His brother was Sergei Alphéraky, a Russian ornithologist and entomologist who specialised in Lepidoptera. Their father Nikos Alferakis owned the Alferaki Palace in Taganrog.

Alferaki was born in Kharkov, present-day Ukraine, to Nikos and Maria Alferakis. He spent his childhood in Taganrog, present-day Rostov Oblast, in the magnificent Alferaki Palace on Catholic Street (now Frunze Street) designed by the architect Andrei Stackenschneider.

Alferaki was educated at home before attending the historical and philological faculty at Moscow University. There he also studied music theory. In 1870, he returned to Taganrog in order to run the family business[clarification needed]. Following the death of the city's governor Lev Kulchitsky in 1873, he served briefly as acting governor. During the 1880s, he served as mayor of Taganrog until 1888, when he moved to Saint Petersburg. There he became Chancellor of the Ministry of Internal Affairs in 1891 and later Director of the Russian Telegraph Agency.

Alferaki died in Saint Petersburg in 1919. One of his family's descendants was Anna Marly, a Russian-born French singer and songwriter, author of Chant des Partisans and a Chevalier of the Légion d'Honneur.

In 1880, Alferaki was elected Mayor (городской голова) of Taganrog. During his tenure, he made many useful public affairs. He made Taganrog beautiful and clean and took part in establishing different charitable institutions. During his mayor's period of office, the city's streets and roads were covered with cobblestones, trees were planted along the pavements, and the first boulevards were introduced. Mayor Alferaki contributed to the establishment of The Society for the Relief of the Aged Poor, established in 1883, and to development of elementary education system in the city.

At the city council meetings, Achilles Nikolaevich Alferaki introduced many new proposals. Some of them looked fantastic and wasteful for Taganrog's politicians, but some of them were realized. For example, Alferaki's proposals to erect a monument to Peter I The Great and to make a major reconstruction of Taganrog's harbor were realized.

Even his mayoralty could not make him forget his passion - the music. He took part in the activity of Taganrog's Music and Dramatic Society. The first music classes and a symphony orchestra, directed by famous hand-master and composer Václav Suk opened in Taganrog.

Music lovers, like Alferaki himself helped Taganrog become known as one of the most music-loving cities in the South of Russia. In 1880, when the Greek composer lived in Taganrog in his mansion on the Catholic Street, he gathered the whole beau monde of the city. Achilles Alferaki was also a talented artist. A large collection of caricatures is now kept at the Taganrog Museum of Local Lore and History and at the Literary Museum named after Chekhov. With these rare sketches and drawings, we have a chance of seeing the people, who lived in Taganrog some hundred years ago through the eyes of a contemporary, getting the spirit of parties and balls of that time.

Alferaki devoted much of his time to music. In the former capital of the Russian Empire he wrote more than 100 romances, compositions and two operas St. John's Eve and The Erl King.

One of the descendants of the Alferaki family was Anna Yurevna Marley, French singer and songwriter. Became known for writing "Songs of the Partizans," which became the unofficial anthem of the French Resistance during World War II.
#42
Composers & Music / Greek unsung composers
Thursday 12 December 2019, 12:02
In researching Kalafati (see separate thread) I found that the Athens Philharmonia Orchestra has a Youtube channel - https://www.youtube.com/channel/UC9p_Bp106n8bWM9shRmDiEw

Under their conductor Byron Fidetzis (Βύρων Φιδετζής) they seem to have been enthusiastically performing and recording Greek composers, particularly from the era that we like.

From their channel I have noted the following:

Petros Petridis (1892‐1977) - https://el.wikipedia.org/wiki/Πέτρος_Πετρίδης_(συνθέτης)
Πέτρος Πετρίδης (1892-1977)
Variations on a Byzantine liturgic chant for string orchestra / Παραλλαγές πάνω στο Βυζαντινό θέμα «Κύριε των Δυνάμεων» για ορχήστρα εγχόρδων - https://www.youtube.com/watch?v=GgMgPzxWdNU

Demetrios Lialios (1869-1940) - https://en.wikipedia.org/wiki/Demetrios_Lialios
Δημήτριος Λιάλιος (1869-1940)
Missa pro defunctis in B-minor / Missa pro defunctis σε σι-ελάσσονα
II. Graduale - https://www.youtube.com/watch?v=wuqN_qe0kDw
ΙII. Dies irae - https://www.youtube.com/watch?v=FABp3EUv9Fo
IV. Tuba mirum – V. Recordare - https://www.youtube.com/watch?v=D9peDXV3_v4
IX. Sanctus - https://www.youtube.com/watch?v=Hce1UCoz9GM
X. Benedictus - https://www.youtube.com/watch?v=eW74Ihz5xWw
other excerpts - https://www.youtube.com/watch?v=PS4l-gMMEwE

Dimitrios Lialios (1869-1940)
Δημήτριος Λιάλιος (1869‐1940)
Overture in Oriental Style / Ανατολική Εισαγωγή - https://www.youtube.com/watch?v=BAGfILzT6_A

Theofrastos Sakellaridis (1884-1950) - https://en.wikipedia.org/wiki/Theophrastos_Sakellaridis
Θεόφραστος Σακελλαρίδης (1884-1950)
Perouze / Περουζέ (opera in 2 acts, 1911)
Libretto: George Tsokopoulos / Λιμπρέτο: Γεωργίου Τσοκόπουλου
Act 1 – The Entrance of the King of the Gypsies - https://www.youtube.com/watch?v=z0YIIOwjyZE
Act 1 – The Fishermen - https://www.youtube.com/watch?v=SnAGUFBsESU
Act 1 – The Enchanting Song of Perouze - https://www.youtube.com/watch?v=reNDfPeqs-A
Act 2 – The Quarrel between Thanos and Anthoula - https://www.youtube.com/watch?v=kNcw-Zpp858
Act 2 - Fairy of the Coast - https://www.youtube.com/watch?v=CQ51P3cLTgo
Act 2 - The Feast of the Gypsies - https://www.youtube.com/watch?v=7Aq-6VVMrAI

Dionissios Rodotheatos (1849‐1892) - https://en.wikipedia.org/wiki/Dionysius_Rodotheatos
Διονύσιος Ροδοθεάτος (1849‐1892)
Athalia ‐ symphonic poem / Αθαλία ‐ συμφωνικό ποίημα - https://www.youtube.com/watch?v=Le1cRBpOKGE

Manolis Kalomiris (1883-1962) - https://en.wikipedia.org/wiki/Manolis_Kalomiris
Mανώλης Καλομοίρης (1883-1962)
Rhapsody for Piano No 1 / Ραψωδία για Πιάνο αρ.1 (1921) - https://www.youtube.com/watch?v=SwNkqYK-unc

Eleni Lampiri (aka Lambiri, 1889-1960) - https://en.wikipedia.org/wiki/Eleni_Lambiri
Ελένη Λαμπίρη (1889-1960)
Symphony in B minor / Συμφωνία σε σι ελάσσονα (1920-21) - https://www.youtube.com/watch?v=Sp1_ArEaOBk

Mario Foskarina-Damaskinou (1850-1921) - https://www.eleftheria.gr/m/πρόσωπα/item/185873-η-θεσσαλιώτισσα-της-μαριώς-φοσκαρίνα.html (bio)
Μαριώ Φωσκαρίνα-Δαμασκηνού (1850-1921)
Venetian Suite / Βενετσιάνικη Σουίτα - https://www.youtube.com/watch?v=WnX4i1ywGuo
L' Aldeana (vilanella) / L' Aldeana (βιλανέλλα) (1888) - https://www.youtube.com/watch?v=S0p3xNrNroc

Marios Varvoglis (1885-1967) - https://en.wikipedia.org/wiki/Marios_Varvoglis
Μάριος Βάρβογλης (1885-1967)
Suite Pastorale / Ποιμενική σουίτα
1. Andante religioso - https://www.youtube.com/watch?v=cw-47WYBQ0U
2. Andante tranquillo - https://www.youtube.com/watch?v=Njb4Fy7gC20
3. Allegro moderato - https://www.youtube.com/watch?v=CHfZpL0YTKI

Georgios Axiotis (1875-1924) – https://el.wikipedia.org/wiki/Γεώργιος_Αξιώτης
Γεώργιος Αξιώτης (1875-1924)
Sunset - https://www.youtube.comwatch?v=gBJje3oYqxQ

Pavlos Karrer (aka Carrer, 1829-1896) - https://en.wikipedia.org/wiki/Pavlos_Carrer
Παύλος Καρρέρ (1829-1896)
Marco Bozzari (opera, also called "Markos Votzaris") / Μάρκος Βότζαρης
Intro e Canzonetta di Marco - https://www.youtube.com/watch?v=wE5QNLebQ1A
Scena e giuramento, Finale 1mo - https://www.youtube.com/watch?v=BQ7-Jzj9XOI
Raconto del Soprano - https://www.youtube.com/watch?v=XAOLLRrtt3E
Finale 3rd act - https://www.youtube.com/watch?v=JfYfhZAEXis

Domenikos Padova (1817-1892) - https://www.corfuland.gr/el/diafora/kerkyra/domenikos-padobas-enas-simantikos-moysikodidaskalos-tis-eptanisiakis-sxolis.html (bio)
Δομένικος Παδοβάς (1817-1892)
Dirce / Δίρκη (opera) - Introduction
https://www.youtube.com/watch?v=_bUvM2ATqas
#43
Hasanov, Gotfrid Alidin xva (1900-1965)

Also spelt Gasanov.

From the republic of Dagestan within Russia.

He has been mentioned on UC before, and his piano concerto has been posted up here (and on youtube) and been described as Rachmaninovian.

He wrote the first Dagestani opera "Khochbar" and I have finally managed to locate a copy and put in the Downloads section.  The quality sound is very low though, so if anyone has a converter system to improve the volume that would be much appreciated!

It is from the archives of the State-Radio company of Dagestan.

HISTORY and SYNOPSIS of the opera (via google translate of the opera's wikipedia page - https://ru.wikipedia.org/wiki/Хочбар_(опера)):

Story and plot
Khochbar with his detachment raided all the way to Khunzakh, took the loot from the rich and distributed to all the poor. The Khunzakh khan understood that the war of the Hydatlins could not be defeated, he decided by decoy to decapitate their resistance - to destroy the leader of the Hydatlins. Mindful that they didn't refuse an invitation in the mountains, he called Khochbar to his "wedding". When he comes, the khan's entourage binds him and the khan decides to put Khochbar to death — burning him at the stake. Before his death, Khochbar breaks out and takes two small children of the khan with him to the fire.

Staging the opera
The opera was staged in 1995 by the Dagestan State Philharmonic Society, the choir of the Dagestan State Pedagogical University, and the choir of the Makhachkala Music College. Later, with the opening in 1998. Dagestan State Opera and Ballet Theater, the opera was staged by the forces of this theater. From this premiere, the theater began to exist.


NOTES ON HYDATLINS AND NUKERS: 

Nukers
Hydatlins
The Hydatli Free Society was a political entity that existed on the territory of Avaria (present-day Dagestan).

Gidatl - a free voluntary (jamaat) society (an independent state formation, with a republican form of organization of public administration), consisting of 7 associations of rural communities:

Etymology
There is no consensus on the origin of the name "Hyde" (Hydatlins) in folk etymology. There are various versions [3]:

According to one version, the name comes from the Avar word "gyy", which means boiled grain (beans, corn, peas, wheat together).
Another version says that the amazing beauty of the nature of the Hydatlinsky valley supposedly gave occasion to neighbors to compare figuratively to compare with the Gyinda Valley in India.
According to the next version, the name "Guid" is considered to be going back to the Hindu word "Hyde", which in Hindi means freedom-loving, independent. It is believed that the freedom-loving nature and independent spirit of the Hydatlins caused this name.
According to another version, the name "Gyid" is an abbreviated Arabic word for "Gyayd." Which means leadership, leadership, leadership. A kind of leading position of the Hydatlins (or Gydatlins) among their neighbors was supposedly the reason for the appearance of such a name.
Geography
Gidatl is located on the territory of the current Shamil region. The main river is Gichinoor.

Administrative division
The free community of Gidatl consisted of eight villages: Ghent, Machad, Nakitl, Tidib, Tlyach, Urad, Khotoda and Khuchad.

Story
Hydatlins, according to historical, toponic and ethnographic data, in ancient times lived in 25 settlements, spread over a vast ethnic territory. In the X-XI centuries. n e. in Gidatl, a process of compact residence, the merger of several small but well-fortified settlements and the formation of villages took place. So, for example, from 4 small settlements - Rosakh, Solo, Churda, Ritli and Shulata, the village of Choloda was formed (now the village of Machada). Thus, in due time, modern hydatlinsky villages arose, except for Khuchad and Nakitl [3].

It is also known that people from Hydatl were originally founded with Urib (Shamilsky district), with. Urukh-sota (Charodinsky district), with. Kulab (Gunibsky district), with. Kedi (Tsumadinsky district), with. Gidatli (Tlyarotinsky district) and with. Chirkey (Buinaksk district).

Gidatlinskaya land gave Dagestan the legendary Khochbar.

Gidatl is the birthplace of two Imams (Gazi Magomed and Shamil). It is known that their paternal ancestors came from Hydatl [4].

The Hydatlins made a significant contribution to the defeat of the troops of Nadir Shah. In this regard, it should be noted that Ibrahim-Haji al Gidatli (great-grandfather on the paternal side of the first Imam of Dagestan, Gazi-Muhammad), using his great authority among the spiritual leaders of Dagestan, wrote 16 appeals to various accident societies. Thanks to this, all I6 Accident societies were mobilized into a single Avar militia and organizedly opposed the enemy, and this played a role in the victory over Nadir Shah. More than 300 people from Gidatl died the death of the brave and became martyrs in the struggle for freedom and independence of Dagestan under the leadership of our illustrious imams against tsarist Russia.

Population
The population of Hydatl was mono-ethnic and monoconfessional. It was inhabited by Avars, professing Sunni Islam. The local Avars spoke in the Hydatli dialect of the Avar language. The earliest written information about the number of Hydatlins dates back to the second half of the 19th century. According to statistics on the Caucasus in 1864, there were 3458 people in Gidatl. And according to the statistical survey of the Dagestan region for 1903 - 4565 people. According to the 1989 census, 4992 people lived in the villages of Hydatli, and more than 5 thousand people lived outside of Hydatl [3]. Today, the total number of Hydatlins is approaching 15 thousand people.
                                                                                                                                     
Religion
Before the adoption of Islam, the Hydatlins professed Orthodox Christianity, which was brought in from Georgia. Islam was adopted by the Hydatlins from the first Muslim in Gidatl, Sheikh Hadji Udurat from s. Choloda (now the village of Machada) in 1475-76

At present, the names of more than 80 large and well-known Arab scholars from Hydatl XVI - beginning XX centuries

In #Hidatl, there are 33 ziarats of the holy fathers of Islam - 13 vali and 20 sheikhs [5].

Hydatlins in art
Gidatl (Khotoda aul) was the birthplace of the brave abrek Khochbar - the protagonist of The Legend of Khochbar (published in the Collection of Information about the Caucasian Highlanders in 1870), based on which the first Dagestan national opera Khochbar was staged in 1937, Rasul Gamzatov wrote the poem "The Legend of Khochbar" (published in 1975), and Askhab Abakarov directed the film "The Legend of the Brave Khochbar" in 1984. The plot node of all these works is the independence of Hidatli.


NUKERS:
Nuker [1] (from the Mong. Nөkhөr; Kalm. Nөkr - friend, comrade, Bur. Nukher - friend, assistant) - combatant in the service of the feudalized nobility during the formation of feudalism in Mongolia. During the war, the nukers acted as warriors in the army of their overlord, in peacetime they became guards, "house people", close associates. Initially, the nukers received full maintenance and equipment for their service, then part of the military booty and land grants with peasant settlers (peculiar benefits), which helped to turn them into ordinary vassals of large feudal lords. In the XIV-XX centuries. the term "nuker" began to be used among the peoples of the Front (particularly in the Caucasus) and Central Asia in the meaning of "servant", "military servant" [2].

G. Gubarev considers the social term of the Cossacks "military comrade" as the rudiment of the Horde Institute of Nukers, which indicates that the Cossacks — the nukers of the Crimean khans — having left them and settled in the Sich, only glorified the former name, which determines their position in military society.
#44
Composers & Music / Vasily Kalafati (1869-1942)
Monday 02 December 2019, 12:40
Kalafati (Russian of Greek descent) has been mentioned in passing in other threads, though there hasn't been a thread set up just for him, so I thought I would start one as I have seen that someone has recently posted on youtube his Nocturne (op.) which at 11 mins is a not-insubstantial piece. It would be nice if this sparks interest in his orchestral works. The piece is subtitled "La nuit à Goursouff" - Gurzuf (or Hurzuf) is a resort and town near Yalta in Crimea, part of Ukraine.  Kalafati was born nearby in Yevpatoria.

As noted before, when wikipedia and other entries say things like "Kalafati was one of the most important composers in Russia during his lifetime", curiosity is piqued.

https://www.youtube.com/watch?v=MpdbJcq1OxE

The wikipedia entry - https://en.wikipedia.org/wiki/Vasily_Kalafati - details a couple of other recordings in the footnotes.
#45
This new Naxos release contains two (as far as I can tell) previously unrecorded Saint-Saëns works:

https://www.naxos.com/catalogue/item.asp?item_code=8.574033

14.  Andromaque, Act IV: Prélude
17.  Ouverture d'un Opéra - Comique inachevé

#46
Dimitri Arakishvili (1873-1953) – Georgia

დიმიტრი არაყიშვილი

https://ka.wikipedia.org/wiki/დიმიტრი_არაყიშვილი
(google translate)

Dmitry Egnate Atakashvili (d. February 23 [c. st. 11 February] , 1873 , Vladikavkaz - c. 13 August , 1953 , Tbilisi ) - Georgian composer, musicologist-ethnographer, teacher and public figure. One of the founders of Georgian professional music. People's Artist of the USSR ( 1929 ). Academician of the Georgian SSR ( 1950 ). USSR State Prize Laureate ( 1950 ).
Arakishvili spent his youth in the North Caucasus - Armavir and Ekaterinodar (now Krasnodar). a love of music in them Arakishvili l. Agniashvili's Georgian choir (led by I. Ratil ), first heard in Armavir in 1890. His first works include the novel "My Murderer, I Know, I Know" (poem by I. Chavchavadze ) and Georgian dance for piano. 1894 - 1901 he studied at the Moscow Philharmonic Society Atakashvili musical drama school, he successfully finished a. Ilinsky (composition), s. Kruglikov (Theoretical Subjects) and V. Conducted by Kess (conductor).
During his stay in Moscow ( 1894 - 1918 ) Arakishvili established close relations with prominent Russian musicians and scientists ( S. Taneev , A. Kastalsky , M. Ipolitov-Ivanov , S. Paschalov, M. Piatnitsky ). During this period he passionately collected, researched and propagated Georgian folklore. His interest in folk music creativity connected him closely with the University of Moscow Music and Ethnography Commission. By order of this commission, the Arakishvili four ( 1901 , 1902 , 1904 , 1908)) Organized a scientific expedition to various regions of Georgia and collected a large amount of musical material (over 500 folk songs), which was subsequently published in three large collections with extensive research and commentary. Arakishvili's works publicly demonstrated the authenticity of Georgian folk music.
In 1906 Arakishvili, along with leading Russian musicians, founded the "People's Conservatory" where he taught himself. Two years later, he founded free music courses for the poorest students in Arbat. With his personal guidance and dedication in 1908 , the progressive magazine "Muzika i Zizni" was published in Moscow, which he himself edited for several years. At the same time he was an active member of the Moscow "Georgian Society of Science, Art and Literature" led by A. Sumbatashvili-Eugene.
Creativity [ Edit | [Edit source ]
Public, pedagogical, and scholarly work put Arakishvili in a strenuous creative endeavor. This period includes more than twenty of his best novels, Opera "Shota Rustaveli" ( 1904 ), set on the stage of the Tbilisi Opera House in 1919 (beginning with scenic history of the Georgian National Opera), symphonic image of "Anthem of Ormuzd" 1911 ) and many choral works.
1918 Arakishvili settles in Georgia and his main task is to train young musicians. In 1921 a second conservatory was established in Tbilisi on his own initiative , with which he formed a choral class, a string quartet, an opera studio. 1926 - 1930 Arakishvili was the Director of the Tbilisi Conservatoire ( 1923 - both conservatories merged), the Chair of the Department, the Dean of the Faculty of Composition. 1932 He heads the Union of Georgian Composers. In Soviet times, Arakishvili's work was enriched by works of various genres (comic opera "Dinara", symphonies, cantata).
The most extensive and important part of Arakishvili's heritage is chamber-vocal lyric. In this genre, the composer has created truly classic artifacts. The literary-poetic basis of the romance creations (Hafiz, A. Pushkin , A. Fett , I. Polonsky , A. Mikov , I. Chavchavadze , N. Baratashvili , G. Kuchishvili , G. Tabidze ) are very diverse, his novels are distinguished by melody and Expressive, shaped with plasticity and laconicity, exquisite harmonious color. Particularly noteworthy are "On the Iveria Mountains", "Don't Sing, Beautiful" ( Pushkin), "Rise, Shine", "Come to the Kingdom of the Roses of Flowers", "Siov Nazo" (Hafiz), "Starry Night" ( A. Fett ), "I Love You" (M. Davidova), "The Night Is Dark", The "Urmuli", "Urmuli" ( G. Kuchishvili ), which were widely distributed among the people, were established in concert and pedagogical repertoire. It is noteworthy that numerous novels prepared the ground for Arakishvili's opera "Shota Rustaveli". The stylistic peculiarities of the opera are defined by the same intonation (the eastern flow of Old Tbilisi musical folklore) that Arakishvili's music evolved from. The opera was based on a folk tale about one dramatic episode of Rustaveli's life (libretto by Al. Khakhanashvili, s. Shaniashvili , I. Mchedlishvili). The intimate nature of the story and the widespread use of romantic forms gave the opera a chamber character. Separate opera excerpts have gained widespread recognition (intro, Tamari's Kawatina, Shota Aria, The Song of the Mogul, Urmuli, duo of Abdul-Arabi and Rusudan).
Arakishvili , along with other Georgian composers of the older generation ( M. Balanchivadze , Z. Paliashvili , N. Sulkhanishvili , V. Dolidze ) is recognized as the founder of the National Composition School.
Buried in Didube Pantheon of Writers and Public Figures . the Didube Pantheon buried his wife - Matrona Gerasime daughter Kupriyanov (d. October 20 , 1885 in the village. vasilevskaia, the current Moscow region - c. 14 February , 1946 , Tbilisi ) - 1953 September Kukia from the cemetery were transferred to Didube Pantheon.
Dimitri Arakishvili (Georgian: დიმიტრი არაყიშვილი) (11 February 1873 – 13 August 1953)[1] was a Georgian composer and ethnomusicologist considered as one of the founding fathers of modern Georgian music. He was also known by his Russified name Dimitry Ignatyevich Arakchiev (Russian: Димитрий Игнатьевич Аракчиев).
Born in Vladikavkaz, Terek Oblast, Russian Empire (now North Ossetia, Russia), he graduated, in 1901, from the School of Music and Drama operated by Moscow Philharmonic Society where he was tutored by Alexander Grechaninov and Willem Kes. In addition he graduated from the Moscow Archaeological Institute in 1917. He helped found the Moscow People's Conservatory and offered free musical classes in Arbat Square in 1906. From 1908 to 1912, was editor-in-chief of the journal Muzika i zhizn. One of his major interests was Georgian folk music and he traveled throughout Georgia collecting traditional music and over 500 folk songs from 1901 to 1908. When Georgia established an independent republic in 1918, Arakishvili moved to Tbilisi and founded a conservatory which was merged with the Tbilisi State Conservatory in 1923. He taught and composed, and directed the Conservatory from 1926 to 1929. He was actively involved in collecting and popularizing Georgian folk songs and published books on Georgian folk music. Since 1932, he chaired the Union of Georgian Composers. In 1950, he was awarded the Stalin Prize.


Most recordings of his music seem to be excerpts from his opera "The Legend of Shota Rustaveli".  (Rustaveli, c.1160-c.1200, is the Chaucer of Georgian literature, except that Georgians relate to him with their hearts and souls in a way that English don't about their writers. His novel or epic poem, 'The Knight in the Panther Skin', can be recited at length by most Georgians.)

https://www.youtube.com/watch?v=Do6LMgnQ4PY – Tamara's cavatina, for mezzosoprano, from The Legend of Shota Rustaveli -
https://www.youtube.com/watch?v=o8pfF2q5ieI - Abdul-Arabe's arioso, from The Legend of Shota Rustaveli
https://www.youtube.com/watch?v=eO4uvALeJBw - Tamara's cavatina, for mezzosoprano, from The Legend of Shota Rustaveli
https://www.youtube.com/watch?v=6vKamx4ZXls&t=4163s - Urmuli from The Legend of Shota Rustaveli
https://www.youtube.com/watch?v=CN3_zelZ50k – Duet, from The Legend of Shota Rustaveli
https://www.youtube.com/watch?v=hgnVYKfxzT8 - To the starry night - Georgian romance
https://www.youtube.com/watch?v=xqSPpF0YMhg - Friend, (song)

There is also an aria from that opera on this Naxos CD - https://www.naxos.com/catalogue/item.asp?item_code=8.572438


#47
Meliton Balanchivadze (1862-1937) – Georgia

მელიტონ ბალანჩივაძე

https://ka.wikipedia.org/wiki/მელიტონ_ბალანჩივაძე
(google translate)

Meliton Anton Balanchivadze (born January 5 , 1863 , [December 24, 1862 BCE] , village Banoja - December 21 , 1937 , Kutaisi ) - Georgian composer and public figure, founder of Georgian opera music. People's Artist of Georgia ( 1933 ).
He received his first elementary education at Kutaisi Theological College. Here she participated in a student team and drew the attention of head coach Vladimir Agniashvili . Soon he formed a choir of students and taught chanting. 1879, after moving to Tbilisi , Balanchivadze was accepted into the chorus of the Exarchate of Georgia. Team Leader f. Ashwork taught him music theory and appointed him as his assistant. Since 1880 Balanchivadze has been invited by Philemon Koridze to the Tbilisi Opera House . Soon there were solo parties in operas "Eugene Onegin" (Zaretsky) and "Faust" (Valentine).
1882 Balanchivadze formed a Georgian folk song choir, which held a concert in Tbilisi in 1883 . It was the first time that Georgian folk songs were performed publicly, which had great cultural and national significance. 1883 - 1886 Balanchivadze, together with Koridze, traveled all over Georgia to record and study folk song and chant. Since 1886 he has been singing L.A. In the team founded by Agniashvili and even led by him for a while. At the same time the orchestra, which l. Along with Agniashvili's team, he performed "Georgian Popuri" composed of folk songs at concerts.
1889 Balanchivadze introduces his listeners to his three novels - "Nana", "You Gettrap Marad" and "Odessa I Love You" (the first classical samples of the romance genre in Georgian music). 1889 - 1895 Balanchivadze studied at the St. Petersburg Conservatory for vocal instruction (with Prof. V. Samus), then moved to the composition class with the advice of the Conservatory Director Anton Rubinstein . He worked in Rimsky-Korsakov , Russia for 28 years, propagated the art of Georgian music, ran Georgian music evenings, performed as a barber and singer. Here he wrote the opera "Tamar Tsbiere" (by A. Tsereteli "Tamar Tsbiere", librettoVasily Velichkos ) First Act and Parts of the Third Act, first performed on December 20, 1897 by Russian actors in the St. Petersburg Noble Assembly Hall. Outside Georgia, the first Georgian opera set up in Russia was highly endorsed (repeated 1912 there). 1906 In St. Petersburg Balanchivadze took part in the a. Rubinstein's opera "Demon" in Georgian. 1907 sponsors the publication of Mikhail Glinka's letters ( St. Petersburg , 1908 , 250 letters). 1917 He returned to Georgia, where he was widely involved in music and public life. 1918He founded a music school in Kutaisi, which bears his name today. Actively participated in the reorganization of the Tbilisi Conservatory; Was the Honorary Chairman of the Society of Young Georgian Musicians, Chairman of the Board of the Music Society of Georgia, participated in the establishment of folk song choirs; Headed the folk music gathering and study commission; He headed the Music Department of Public Education; 1929 - 1931 - Director of Batumi and 1935 - Director of Kutaisi Music School. On April 6, 1926 , Balanchivadze's "Tamar Tsbieri" (libretto by Konstantin Potskhverashvili ), staged in a patriotic spirit, lyricized at the Tbilisi Opera House .1937 This opera, titled "Darejan Tsbier", was performed at the Georgian Art Decade in Moscow and was highly praised. Balanchivadze's other works include Cantata "Glory to Zahes" ( 1927 ), " Student Song" for the Female Choir and the "Georgian National March" Symphony Orchestra. Has received state awards.
He is buried in Kutaisi , in the Pantheon of public figures in Greenvavila.
Meliton Balanchivadze (Georgian: მელიტონ ბალანჩივაძე; 24 December 1862 – 21 December 1937) was a Georgian opera singer, composer and a celebrated member of Georgia's cultural scene, both under the Russian Empire and during the country's independence. Two of his sons, George and Andria, had illustrious careers, the former as a pioneering choreographer in the United States, and the latter as Soviet Georgia's leading classical composer.
Career
Born in the village of Banoja and trained at the seminaries of Kutaisi and Tbilisi, Balanchivadze began an operatic career at the Tbilisi Opera House in 1880. In 1882, he founded a Georgian folk ensemble and organized the first ever folk concert in Tbilisi in the next year. From 1883 to 1886, he travelled to various parts of Georgia, collecting folk songs and training folk choirs. From 1889 to 1895, he studied at St. Petersburg Conservatory where one of his teachers was the composer Nikolai Rimsky-Korsakov. Between 1895 and 1917, he toured Russia giving concerts of Georgian folk music.
After the 1917 Bolshevik coup, he returned to his native Georgia, where he taught and composed. He authored the first original Georgian opera, Tamar the Wily, later renamed into Darejan the Wily (თამარ ცბიერი, დარეჯან ცბიერი)—first performed by Russian artists at the Hall of the Russian Nobility Council in 1897 — as well as numerous choral works, as mass, and other church services.[1][2]
Family
Balanchivadze was married twice. By his first marriage, to Gayane Eristavi, he had two children. One of them, Apollon, was a colonel in the White Russian forces, notably serving in the Ice March of 1918.
He married, secondly (probably in 1905 or 1906), to Maria Nikolayevna Vasilyeva, a St. Petersburg native. The couple had three children:
•   Tamara, a painter, died 1943, during the blockade of Leningrad
•   George, emigrated to the United States and became an influential ballet choreographer
•   Andria became a leading composer in Soviet Georgia


https://www.youtube.com/watch?time_continue=7&v=hXtw1stX88k – God Almighty – aria, baritone + orchestra

https://www.youtube.com/watch?v=DUleBnLvdrY - King Giorgi's aria from the opera "Darejan the Wily"

https://www.youtube.com/watch?v=gqL6eVAnjU0 - Gocha's aria from Darejan the Wily (piano accompaniment)
#48
Niko Sulkhanishvili (1871-1919) – Georgia

ნიკო სულხანიშვილი
https://ka.wikipedia.org/wiki/ნიკო_სულხანიშვილი
(google translate)

Niko Paata Sulkhanishvili (b. 1871 , Atskuri village , Akhmeta district of Akhmeteli - December 3 , 1919 , Tbilisi ) - Georgian composer, songwriter and singer.
Traditionally Georgian folk song in the family of Sulkhanishvilis was a great honor - singing relatives, children, and even Niko himself. His family members were famed for their song throughout Kakheti. Her mother was well-versed in oral speech and writing. He read Nico's Georgian work and taught literacy. She loved her son's folk poetry and the "MPS". Seven-year-old Niko was taken to Telavi Theological Seminary. Thanks to the wonderful sound she was singing on the school choir. Here he was taught by David Eliozishvili and Zakaria Chkhikvadze . At the same time, the famous singer Lado Agniashvili created the choir. 1884Niko has been a student of the Tbilisi seminar since. But he could not get used to the rigors of seminary, and after two years he left and joined the choir, but Nico decided to pursue a thorough musical education. He was once entertained by the singer of the Moscow Grand Theater in Tbilisi, D.S. A young but desperate young man was forced to return to Telavi. Here he taught chanting in theological seminary.
Ten years later N.C. Sulkhanishvili is still in Tbilisi, teaching theoretical disciplines at a local music school and taking private lessons in composition. The creative trials of the talented musician began in the 80's. His choral works are one of the first classics in this genre of Georgian music. This is also confirmed by the popularity and love of the composer's work today: "Turfav, let's not be hostile", "Plow", "Homeland of Khevsur", "Mestevik", "Chonguri Strings", "God, God" and others . Niko Sulkhanishvili is also the author of the wonderful arias "Late" and "I was barely alone" from the unfinished opera "Little Kakhi". It also belongs to "Mo, Zulu".
Buried in Didube Pantheon of Writers and Public Figures.


A capella concert:
https://www.youtube.com/watch?v=XBWXUQzw5LE
Concert dedicated to the 145th anniversary of Niko Sulkhanishvili 26.03.2016
Georgia State Capella and Rustavi Chamber Choir
Soloists:
Givi Peikrishvili
Tamaz Saginadze
Tornike Papidze
Giorgi Khunashvili
Zurab Japaridze
Vano Dvalishvili
Concertmaster: Elene Korkotashvili
Conductor: Givi Munchjishvili
Jansug Kakhidze Tbilisi Music and Cultural Center
00:00 - Glory to Iveria
13:35 - Come on, don't be hostile (choral arrangement: by Givi Munchjishvili)
26:57 - Homeland of Khevsureti
35:00 - Romance "Mo Zualo"
43:20 - Where I was born, I grew up
55:00 - Late (soloist: Giorgi Khunashvili)
01:13:00 - God, God
01:24:50 - So victory over sweet life
01:41:20 – Plural
#49
Composers & Music / Alois Mizandari (1838-1912) - Georgia
Saturday 26 October 2019, 21:08
Alois Mizandari (1838-1912) - Georgia
or ალოიზ მიზანდარი, as I am sure most people on here would recognise!

https://ka.wikipedia.org/wiki/ალოიზ_მიზანდარი
(google translate...)

Alois Joseph Mizandari (b. 13 September [ September 1 BCE] 1838 , Gori - June 14, 1912 [ Tbilisi Born June 1, 1912 ] , Tbilisi ) - Georgian pianist-virtuoso, composer and teacher. Author of the first Georgian printed work (romance "We Break Away" 1863), founder of the Piano School, one of the founders of the first music school, an honorary member of the Tbilisi Department of the Russian Imperial Music Society.

Mizandari Alois was born in 1837 in the city of Gori . 1855-1863. He studied at the Faculty of Oriental Languages ​​of the University of St. Petersburg. Performed with the University Symphony Orchestra. A close relationship with Milli Balakirev and Anton Rubinstein influenced the further pursuit of purpose. Kh. Savannah and K. Alikhanov founded the Music School in Tbilisi in 1874 , which became the Music School in 1886 , and in 1917 it became the Tbilisi State Conservatory .

During his studies in St. Petersburg and on trips to Europe ( Paris , Vienna 1865-1867) he had close relations with Tchaikovsky , Rubinstein , Balakirev , Liszt , Rossin , Brahms , Gunno , Verdi and others. According to legend, Mizandari and Liszt often played four hands.

Criticism of Mizandari's concerts was highly praised: "With his rare grace and genius, Mr. Mizandari surprised his listeners." (Newspapers: "Der Wanderer" ( 1867 ), "Die Debate" ( 1867 ), "Vorderblatt" ( 1867 ) "Neue Wienner Theaterzeitung" ( 1867 ); Mizandari's piano pieces are the first samples of Georgian professional music. Masses, which are performed in the Catholic Church. Alois Mizandari Georgian student, was one of the founders of the school of piano Anna Tulashvili , as well as e. i. poltoratskai and so forth.

He is buried in Didube Pantheon of writers and public figures.


https://www.youtube.com/watch?v=NsCJvczFygI - "Tiflis - Polka" (1867), for orchestra
https://www.youtube.com/watch?v=FCugCTajMsg - Melodie orientale and Lesghinka (1867), solo piano
https://www.youtube.com/watch?v=HXOTA0Gm1iI - Mazurka "Souvenir d'Abastouman" (1892), solo piano
https://www.youtube.com/watch?v=XAyDgTu2jZ8 - Fugitive musings for my friend, Vienna (Jan.1867), solo piano
https://www.youtube.com/watch?v=kugFJkmURPE - Mazurka-Fantaisie, solo piano
https://www.youtube.com/watch?v=SdkFvba8Jn4 – Romance, soprano + piano

https://www.youtube.com/watch?v=plGQQgauQ7Q – 6-minute documentary (in Georgian) including excerpts of his music

#50
Composers & Music / Ștefan Neaga (1900-1951): Dniester
Wednesday 25 September 2019, 17:03
I hesitated for weeks before deciding to post this.  Eventually I sought Mark's advice and he gave the go-ahead. I wrote to him as follows:

Dniester symphonic poem (or "Poemul Nistrului").  When I first heard it, I thought "not UC style" but the more I listen to it, the more I am changing my view.  To me it's like a cross between Barber (Adagio for strings) with Tchaikovsky (when the strings are in full flow later in the piece). And a bit of Bortkiewicz thrown in.  Mark himself wrote "I'd describe the idiom as basically romantic (not even that late with all that Tchaikovskian writing for the strings, as you say), but with the odd scrunchy harmony thrown in from time to time" - which puts it better than I did!

It was written in 1943, which I appreciate is outside our loose guideline of 1918. It's about 18 minutes long. Ștefan Neaga himself lived from 1900 to 1951 and was Moldovan. The Dniester is a large river in Moldova and Ukraine (called "Nistru" in Romanian/Moldovan).

Two available versions:
www.youtube.com/watch?v=quSMwBJhv5Q (Part 1) and http://www.youtube.com/watch?v=bfkKCyePsIo  (Part 2) - studio (professional?) recording (artists and year unknown)

https://www.youtube.com/watch?v=NniY-bydsWk - live concert recording in the Chisinau music academy, 2016.

According to the blurb under one of the youtubes "Ștefan Neaga was a exceptional talented moldavian composer, pianist and conductor. This piece is about the second World War, that is represented in the main theme, and about force of nation, that is represented in second theme written in the rhythm of Hora." - It is certainly a very agonised and tormented piece of music in parts.  For all the composer's apparent adulation of Stalin (acc to wikipedia "Neaga said that he wanted to represent with his work "the creativity and love of Great Stalin, the certainty of the victory of communism..."), it lacks that bombast that so many composers of that period of early Soviet history felt it necessary to include - so possibly his adulation was (as so often) insincere, if necessary.

https://en.wikipedia.org/wiki/Ștefan_Neaga
#51
Composers & Music / Some unsung Romanian composers
Monday 23 September 2019, 18:06
While trying to research Stan Golestan further (...., see Golestan thread), a music contact in Romania drew my attention to some other Romanian composers of "our" era.  As I can't find any reference to them on this forum (or only passing reference) I thought I would post up here:

Karol Mikuli (listed variously as Romanian, Moldovan, Polish and Armenian - he is also known as Karol Pstikyan or Bsdikian) - 1821-1897 - https://en.wikipedia.org/wiki/Karol_Mikuli
Mostly piano and chamber music, including:

Doina 1-2 from "12 Airs nationaux roumains pour le piano" - https://www.youtube.com/watch?v=_dAIaC_XbA8
Grand Duo in A major, Op. 26 (for violin and piano) - https://www.youtube.com/watch?v=YTlP0iduUN0
various for solo piano - https://www.youtube.com/watch?v=tq25HH4csoQ
Mondnacht (for baritone and piano) - https://www.youtube.com/watch?v=RaEdGatWo-I
Scherzo for Three Violins - https://www.youtube.com/watch?v=YTlP0iduUN0  (school performance, bit painful!)
and many pieces for solo piano also on youtube.
Acc to wikipedia he wrote 1 piece for orchestra - 48 Airs nationaux roumains for orchestra, also arr. piano. - but I can't find any trace of a recording.

Tiberiu Brediceanu 1877-1968 - https://en.wikipedia.org/wiki/Tiberiu_Brediceanu

Four Romanian dances (for orchestra) - https://www.youtube.com/watch?v=Yj13cgnuK0A - actually written in 1951 but very much of our era
Trei dansuri românești (Three Romanian Dances) for solo piano - https://www.youtube.com/watch?v=kIV5b0AIfuY
other works for solo piano are also on youtube

Ciprian Porumbescu - 1853-1883 - https://en.wikipedia.org/wiki/Ciprian_Porumbescu

New Moon ("Crai nou") - short operetta - https://www.youtube.com/watch?v=cZKWi_d5jro&t=38s
popular aria from "Crai nou" - https://www.youtube.com/watch?v=2Lx4WWwMrD4
Ballad for Violin and Orchestra - https://www.youtube.com/watch?v=7QWwrMxXmn8 - many recordings available, it's a staple of the Romanian violin repertory
Pe-al nostru steag e scris Unire - song with orchestra, for some reason taken up by Albania as the national anthem! - https://www.youtube.com/watch?v=7x0mEWcAjC0
Rapsodia română / Rumanian Rhapsody - for orchestra - https://www.youtube.com/watch?v=GN9wcLlPKoo

My contact also name-checked Gavriil Musicescu (1847-1903) and Mihail Berezovschi (1868-1940) though their output seems to be entirely Christian Orthodox Church music.
#52
Composers & Music / Eugen Coca (1893-1954)
Monday 02 September 2019, 12:54
It's only a 2-minute-long lollipop but I thought I would share this piece I came across by a very unsung composer from Moldova, as I enjoyed it very much. I enjoy finding randoms such as this online.

Moldovan dance "Joc" (pronounced zhok, means 'game') for piano and clarinet - https://www.youtube.com/watch?v=w_1AV5Lx3zc

From wikipedia:

Eugen Coca was born on April 15, 1893 in Cureșnița of Soroca district – died on January 9, 1954 in Chișinău. He was a violinist and composer from the Republic of Moldova.

He composed stage, symphonic, instrumental, chamber, choral, vocal and film music; elaborated folk songs. There are two symphonies and two symphonic poems, which became well known. One being the opera "Firebird" (Pasarea Măiastră) which is based on a popular legend.

There was a ten-year music school that took its name, which was later divided into two musical high schools: "Ciprian Porumbescu" high school and "Serghei Rahmaninov" high school.

Biography
Eugen Coca, violinist, conductor and composer, was born on 3 April 1893 (old style) in Cureșnița, Soroca District. From the early childhood, he was taught to play violin with his father, Costache Coca, a well-known musician (lăutar) from Soroca.

He became a violinist in the orchestra of the Drama Theater and in the folk music orchestra led by A. Poleacov (Chișinău, 1905–1908), while studying the violin with T. Grama and I. Finkel.

He was then a violinist in the Symphonic Orchestra of Eupatoria (1912–1913), in the orchestra of the Sibiriakov Opera Theater in Kostroma (1913–1914) and S. Zimin in Moscow (1914–1915).

From 1915 to 1917, he studied the violin under the guidance of professors Tall in Moscow and Malishevski in Odessa. He was a violist in the George Enescu Orchestra in Iași (1919–1925). He took the lessons of violin from I. Finkel (1924–1926) and of composition form Gheorghi Iaţentkovski (1932) at Unirea Conservatoire in Chișinău.

Eugen Coca was a professor of harmony, theory and composition and conductor at the Music School in Cetatea Albă; a violinist at the Bucharest Radio Orchestra (1934–1940); a conductor of the Symphony Orchestra of the Philharmonic in Chișinău (1944) and of the Radio Orchestra in Chișinău (1944).

Member of the Romanian Composers Society (1935); member of the Union of the Composers of the Republic of Moldova, the branch of the Union of the Composers of the USSR (1940). He was awarded with the second honorable mention for the symphonic painting (1936) and with the first honorable mention for the Romanian Capricious (1937) and with the Award for the "George Enescu" composition. He had pupils like B. Podgurschi (violinist). He collaborated with: I. Dailis, N. Cerenesa, T. Iaţkovski, J. Bobescu, G. Enescu, L. Feldman, V. Jianu, Gh. Manole, C. Ţurcan, A. Theodorescu, N. Propişcean, V. Boz, M. Duda, P. Bacinin, etc.
#53
Composers & Music / Moniuszko - Crimean Sonnets
Thursday 25 July 2019, 15:54
I have posted a recording of Stanisław Moniuszko's "Crimean Sonnets" cantata in the downloads section.  These are based on 8 of the eighteen sonnets written by Poland's favourite Romantic poet Adam Mickiewicz based on his travels in Crimea (more here - https://en.wikipedia.org/wiki/The_Crimean_Sonnets.

As follows:

1. Intrada       Introduction
2. Cisza morska      Silent Sea
3. Żegluga      Sailing
4. Burza      Storm
5. Ruina (Bakczysaraj)      Ruins (Bakhchisarai)
6. Noc (Bakczysaraj w nocy)      Night (Bakhchisarai at night)
7. Hymn (Czatyrdah)      Hymn (Mount Chatyr-Dah)
8. Pielgrzym      Pilgrim
9. Epilog (Ajudah)      Epilogue (Mount Ayu-Dag)

Bakhchisarai was the capital in Crimea of the Crimean Tatar Khanate.  The Khan's Palace is still there and is a notable attraction still, particularly its famous fountain. 

Chatyr-Dah is a mountain, its name means Tent Mountain.

Ayu-Dag is also a mountain - its name means Bear Mountain, it looks like a bear stooping to drink from the sea (I've been there, it really does!).

According to a note which came with the recording, "Some of the titles in the score were changed from Mickiewicz's titles (maybe for censorship reasons?). That is why some sonnets have here first the title from the score, followed by the original title of A.Mickiewicz in parentheses."  Mickiewicz was certainly regarded as subversive by Czarist Russia, which ruled much of Poland at the time.  He was even imprisoned and internally exiled.

On a personal note, I can't say the music sets me on fire, but am posting nonetheless!
#54
Composers & Music / Arrangements by Georgii Cherkin
Tuesday 21 May 2019, 12:18
Quote from: Alan Howe on Thursday 16 May 2019, 23:37
The PC (by Wars) is 9½ minutes of pure fake Addinsell-Rachmaninov. Glorious!


So I thought I would have a little listen to this on youtube to see if I liked it.  And I did, so will probably buy the CD.

A suggested track to listen to on that youtube page caught my eye, and I couldn't resist listening to it....and I love it!  I know Alan you might choke on your cornflakes, but... - https://www.youtube.com/watch?v=mSsDt6Z5mFY - 3 minutes long - "Darth Vader's Theme for Piano and Orchestra. Original arrangement of the Imperial March from Star Wars. This is the first ever version for Piano and Orchestra of the famous theme by John Williams, arranged by Georgii Cherkin. Here is the World Premiere of this version, which sounds like a mini Piano Concerto by Rachmaninoff, based on the famous Darth Vader theme from Star Wars Episode V - The Empire Strikes Back."

It is indeed somewhat Rachmaninovian!  It must have been suggested because of the word "Wars" and the Rachmaninovian piano commonality.

#55
Recordings & Broadcasts / Elgar in Eastern Europe
Monday 08 October 2018, 12:36
An Albanian violinist - Alda Dizdari - is working to promote Elgar in Eastern Europe.  She was interviewed on BBC Radio 4's Today programme this morning - https://www.bbc.co.uk/programmes/m0000nls - (towards the end) and spoke about how is currently perceived there (he is "unsung" there, known only for the Cello Concerto and Enigma) and how she wants to use his Violin Concerto to raise his profile in the region.  She is performing it this Sunday in Cadogan Hall.

https://aldaviolin.com/biography/

https://www.cadoganhall.com/event/southbank-sinfonia-181014/
Following a two year journey promoting and premiering Elgar's Violin Concerto in Eastern Europe, the concert violinist Alda Dizdari and conductor Alexander Walker come to the Cadogan to perform Elgar's masterpiece in a gala performance where Alexander Walker will be presented with the Elgar Medal by the Elgar Society of Great Britain and the violinist Alda Dizdari will launch a book inspired by the travels with this concerto titled Kiss me Again; A Memoir of Elgar in Unusual Places.

Also an article in The Sunday Times yesterday (7th Oct) - https://www.thetimes.co.uk/article/alda-dizdari-interview-elgar-violin-concerto-kiss-me-again-a-memoir-of-elgar-in-unusual-places-qmjslmrxq
#56
Recordings & Broadcasts / Golovanov as composer
Wednesday 08 August 2018, 13:47
A 3-CD of the music of Nikolai Semyonovich Golovanov (1891-1953) has been produced to mark the 125th anniversary of his birth. It's been produced by Orpheus Radio, the Russian state classical music radio station.

The radio station has made all the tracks publicly available here - http://www.muzcentrum.ru/producercenter/orpheusrecords/18664-vozrozhdaem-nasledie-russkikh-kompozitorov-nikolaj-golovanov   (the page is in Russian; title tracks are in Russian and English)

CD1 contains 2 orchestral works and orthodox choral a capella pieces.  The orchestral works are:

1. Prelude to Oscar Wilde's drama "Salome", written 1917 (Op.25)
2. Suite from the opera "Princess Yurata", written 1914 (Op.19a: i. Nocturne; ii. Dance of the Pearls; iii. Dance of Monsters and Round-Dance of the Pearls)

CD2 contains songs and romances.  CD3 is actually a DVD about Golovanov.

I have put the two orchestral works into the Downloads section. A recording of Princess Yurata was actually uploaded to this site in 2012 but the link is now dead.  The Prelude to Salome is, as far as I know, a world premiere recording.  It strongly reminds me of Liadov in its atmospherics, particularly Liadov's "The Enchanted Lake".

(I have also uploaded Golovanov's "Russian Overture" which is a re-load of a pre-2012 posting which also appears to be a dead link.)

Interesting to note that Golovanov's dates are the exact same as Prokofiev's yet the music (to judge by these pieces) is strikingly different.
#57
Composers & Music / Joseph Rumshinsky (1881-1956)
Monday 28 May 2018, 21:08
I think it's ok to post about this composer here though I may be over-ruled...

Joseph Rumshinsky (1881–1956) was a Jewish composer born near Vilnius, Lithuania (then part of Russian Poland). Along with Sholom Secunda, Alexander Olshanetsky and Abraham Ellstein, he is considered one of the "big four" composers and conductors of American Yiddish theater.

His music is more like operetta or maybe music hall, though it's certainly melodic and harmonic and far from atonal. There's a Naxos CD of his music called "GREAT SONGS OF THE YIDDISH STAGE, VOL. 3".  It's unmistakably Yiddish and Jewish in style throughout.  My favourite is the aria "Der rebetsn's tokhter (The Rabbi's Wife's Daughter): Hamavdil" - very operatic and dramatic.   There's another version of it on youtube here - https://www.youtube.com/watch?v=eyKZCVAZ6Ms - though it's not as good.

He wrote an operetta The Golden Bride (Die Goldene Kale) https://en.wikipedia.org/wiki/The_Golden_Bride.  It looks like it was recently performed as on youtube there are two very high-quality clips of excerpts:
https://www.youtube.com/watch?v=yhYhmRGxxYU     and 
https://www.youtube.com/watch?v=A5Mf-8wL4dI   (3:09-3:34 of this clip hints at a very beautiful aria)

This performance was by the National Yiddish Theatre Folksbiene at the Museum of Jewish Heritage in NY (http://nytf.org/) and I am trying to find out from them if there is a complete recording - if anyone else knows anything I would be very grateful!


(Rumshinky is one of the composers referenced in the ""Tchaikovsky (and other Russians)" song by Gershwin.)

#58
I've been discovering this composer's works on youtube.  He's hardly been mentioned on here before (only in passing) so I thought I would share.

Eduard Caudella (22 May (or 3 June) 1841 – 15 April 1924) was a Romanian opera composer, also a violin virtuoso, conductor, teacher and critic. He studied with Henri Vieuxtemps, and taught at the Iași Conservatory.

Works:

Harţă Răzeşul (opera, 1872)
Hatmanul Baltag (opera, 1884)
Beizadea Epaminonda (opera, 1885)
Fata răzeşului (opera, 1885)
Petru Rareş (opera, 1889)
Violin Concerto no. 1 (1915)
Dochia, orchestral ballad
Memories from the Carpathians

Eduard Caudella descended from a family of musicians. His father, Francisc Caudella (1812-1868), a self-taught musician, came from Vienna and settled in Iaşi in 1830, where he first worked as a violonceller alongside the French and German theater groups. After he became known to teach the music of some boyar children, he was appointed on October 1, 1860, as the first director of the newly established music school, which in 1864 became the Conservatory of Music and Declamation. His grandfather, Filip Caudella, published in 1822, in Sibiu, the first song of Romanian songs, [3] but also a series of motete composed by him (1830).

Eduard Caudella began his musical studies at Scheia and Iaşi (1850-1853) with Paul Hette (violin) and Francisc Caudella (theory-solfegium), then continued his studies in Berlin and Frankfurt (1853-1857) Hubert Ries (1802-1886), Henri Vieuxtemps (violin) and Adolphe Rieß (piano). He then went to Paris to study with Lambert Massart and Delphin Allard. Between 1861 and 1864 he returned to Iasi, where he was a violinist in the princely court of Alexandru Ioan Cuza. He was initiated in Freemasonry on 3 December 1866 in the Star of Romania Lodge in Iasi. Like his father, Eduard Caudella taught at the music school, and between 1892 and 1901 he was rector of the Conservatory. Among his students were Athanasie Theodorini, Mircea Barsan, Mircea Anghelescu and conductor Antonin Ciolan. He was also George Enescu's first music teacher, who later dedicated to Caudella his violin work "Impressions from Childhood".

Within the Conservatory of Iasi, Eduard Caudella founded the first symphonic orchestra, whose conductor was. He also directed the orchestras from the Romanian theater (1861-1875), from the German theater group (1868-1870) and from the Italian opera (1870-1874), where he directed a series of works by Giuseppe Verdi (Lombarzii, Rigoletto, Trubadur, Ernani), Gaetano Donizetti (Lucia di Lammermoor, Maria de Rohan), Gioachino Rossini (Barber of Sevilla), Vincenzo Bellini (Norma, Somnambula) and Charles Gounod (Faust, Sapho).

He also approached the national repertoire, conducting from Eduard Wachmann (Lipitorile satului), Alexandru Flechtenmacher (Baba Hârca, Cinel Cinel). He made a number of his own compositions, being the founder of the Romanian opera.  The tomb of musicologist Eduard Caudella, found in the Eternity Cemetery in Iaşi, is listed in the List of Historical Monuments 2004 - Iasi County under no. 1574 with the code IS-III-m-B-04307.

Some recordings on youtube are available:

Concerto No.1 for violin and orchestra, Op.61 - https://www.youtube.com/watch?v=gh_d8FFeWO4

Eduard Caudella Prelude to the opera 'Petru Rares' - https://www.youtube.com/watch?v=yIG7tlludGo

Darling blue eyes (song, sung by Angela Gheorghiu) - https://www.youtube.com/watch?v=e8ZmoAvaw1M

Memories from the Carpathian Mountains - https://www.youtube.com/watch?v=_Ae_tyjLV5c

Moldova overture - https://www.youtube.com/watch?v=PwL6_R9zGA4

Serenade,Op.28 No.2 - https://www.youtube.com/watch?v=d3U0b2riTl0

Fantasy-Capriccio,Op.25 - https://www.youtube.com/watch?v=bm1fDl0cL4g

'Dochia' - ballad for orchestra, Op.47 - https://www.youtube.com/watch?v=6l58ych6OmA

Batrane, vino si povesteste - https://www.youtube.com/watch?v=u6YFjU8gzeQ

Albumblatt, Op.28 No.1 - https://www.youtube.com/watch?v=Lvq5Ucthh1g




#59
While on the subject of music about Croatia by non-Croatians (see my post just now about Alexandr Ilyinsky), I came across a totally new (to me) Russian-Danish composer: Otto Johann Anton Dütsch (1823-1863).  He wrote an opera called "The Croatian Girl" (or "Kroaterinden" in German (?); "Kroatka" in Russian") which (according to wikipedia) enjoyed success in St. Petersburg.

https://imslp.org/wiki/The_Croatian_Girl_(D%C3%BCtsch%2C_Otto)

Otto Johann Anton Dütsch (also Otton Ivanovich Dyutsh;[1] May 25, 1823 – April 23, 1863) was a Danish composer, who worked in St. Petersburg for most of his short career.

He was the son of Joachim Dütsch who worked for the Danish finance ministry, but was also a music teacher at the Blind Institute. As a 5-year-old junior Dütsch was taught by Giuseppe Siboni at the Copenhagen Conservatory. In 1840 he went to Dessau in Germany to study for 3 years. He then travelled to St. Petersburg in Russia, where he established himself as a music teacher. In 1852 he became chorus repetiteur and organist at the Imperial Russian Theatre in St. Petersburg, and in 1862 professor of music theory there. He died in 1863 in Frankfurt.

The most notable of his works is the opera Kroaterinden (The Croatian Girl), which was successfully produced in St. Petersburg in 1860 with success, with excerpts played in Copenhagen in 1866 at the Euterpe music society. In addition he wrote songs and piano music.
    https://en.wikipedia.org/wiki/Otto_D%C3%BCtsch

There's an aria on youtube (for mezzo-soprano and piano) - https://www.youtube.com/watch?v=jOPPKLEiiHM

#60
Composers & Music / Leokadia Kashperova (1872-1940)
Friday 20 April 2018, 10:11
Here's a new one (on me at any rate) - Leokadia Kashperova, Symphony in B minor played by the BBC Concert Orchestra under Jane Glover.

https://www.youtube.com/watch?v=rnW3vxVBYCA

I can't find much about her, just a very brief English-language wikipedia entry which says Leokadiya Aleksandrovna Kashperova (1872-1940) was a Russian pianist and Romantic composer. She was the piano teacher of composer Igor Stravinsky - https://en.wikipedia.org/wiki/Leokadiya_Kashperova

- and then a footnote to a BBC article entitled "The women erased from musical history" - http://www.bbc.co.uk/programmes/articles/1Tg6t6YxdxyYmKykSfWp9cs/the-women-erased-from-musical-history

From Russian online sources (via google translate):

Leokadia Alexandrovna (4 (16) May 1872, in Lyubim in Yaroslavl Province - 3 December 1940, Moscow) - Soviet pianist, composer and teacher. She graduated from St. Petersburg. conservatoire in piano classes (externally, 1893, in 1888-91 studied with A. G. Rubinstein) and composition by H. P. Solovyov (1895). She performed in Russia and abroad as a soloist and ensemble (in a string trio with L. S. Auer and A. V. Verzhbilovich, in a duet with Czech violinist P. Ondřicek). 1-st performer of some works of M. A. Balakirev, A. K. Glazunov, as well as own compopsitions. In 1918 she moved with her husband - prominent revolutionary actor S. Andropov - to Rostov-on-Don, she was a teacher at the Conservatory, she performed in concerts. From 1922 she taught in Moscow. Among her compositions - a symphony, an overture, a cantata "Orvasi", concerto for piano with orchestra, and chamber works including "Russian Serenade" and 2 sonatas for cello and piano; piano pieces, romances. Wrote "Memoirs" and "Memories of A. G. Rubinstein" (published in the collection: "The Musical Heritage", vol. 2, part 2, 1968).  -  https://dic.academic.ru/dic.nsf/enc_music/3530/Кашперова