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Josef Holbrooke: Dramatic Choral Symphony "Hommage to E.A. Poe"; Symphony No. 2 "Apollo and the Seaman"; Symphony No. 3 "Ships"; Symphony No. 4 "Hommage to Schubert". 
Chaminade: Choral Symphony "Les Amazones".
Godard: Choral Symphony "Tasso".
Alnaes: 2 symphonies.
Leopold Damrosch: Symphony.
Havergal Brian: Symphony No. 5
Sacheverell Coke: 3 symphonies.

And, naturally, all those listed by Alan and Mark!

I have still to proof-read and complete Phil Gorse's performing edition of the Brull VC. Sorry.

I have, Peter. I bought the MDG disk of his songs (advertised on the website you mention) when it was released, about 6 or 7 years ago I think. I read the score of the Piano Cincerto at the British Library and Hyperion were thinking of recording it, coupled with the Bronsart PC, but it looks as if CPO will beat them to it. The symphony contains some attractive music and is beautifully (if conservatively) scored), but it is a little too long for its material. There is a very good Piano Trio and some other chamber pieces, but the concerto and symphony are his major orchestral works.

Thanks, Peter and Alan. I know of John Kersey, and bought some of his disks a few years ago. The playing was good, if a little uninvolved, and the recording, while hardly demonstration quality, quite acceptable - nothing like as bad as you make the Heller sound, Alan. I must say that does put me off rather, in spite of the interesting repertoire. And the CDs aren't cheap at £13.99 each.

In fact, Heller wrote 4 piano sonatas. The scores of all four can be downloaded from IMSLP. Which one is on the Romantic Discoveries disk, Peter? Is that recording still available? I've never heard any of the sonatas, though, looking at the scores, they don't strike me as particularly inspired - unlike his shorter pieces, which I admire greatly. But hearing a really committed performance can make all the difference to a score which, on the page, looks a bit dull.

The fact that it is mentioned in Grove is no guarantee that it is still extant - or even existed. When it comes to lesser known composers Grove is unreliable: a recent edition credited Bronsart with a second piano concerto (wrong) and stated that Felix Dreyschock was Alexander's son (wrong - he was his nephew). A lot of Ketelbey's music was lost in a fire - I suspect the piano sonata was a casualty.
As to the surviving Dreyschock sonata, I have a copy of this. It is indeed v. difficult, but I'm not sure it's that good. I remember thinking the opening theme sounded rather silly. I must dig it out and have a look at it again.

I didn't know Ketelbey had written one. Does the music still exist?

At the risk of dampening enthusiasm, I must emphasise that there are no immediate and concrete plans for a recording by Hyperion of Godard's PCs. The works are on their "consideration" list. That's all.

Not to my knowledge. It's a very good piece - dynamic is the word for it. Mike Spring is aware of it, but I don't know whether Hyperion have any plans to record it in the near future. Another good piece is the Concerto Symphonique by Jakob Julius Major (Hungarian).
Why not write to Mike Spring at Hyperion recommending the Novacek Concerto Eroica? The more voices he hears apart from mine, the more likely he is to be persuaded to record it.
Incidentally, the other concertante work for piano & orchestra by Godard is the Introduction and Allegro, Op. 49. I expect Hyperion will record that too on the same disk.

You may care to know that Chris Fifield is currently studying the symphonies of Lachner and intends programming No. 8 in a concert later this year with his Lambeth Orchestra: http://www.lambeth-orchestra.org.uk/

I just bought a secondhand copy on Amazon.co.uk for £5.91.

I believe they are on Hyperion's long-term list - or so Mike Spring told me about 18 months ago.

There is absolutely no chance of Hyperion recording the Bortkiewicz 2nd & 3rd PCs. They weren't on Mike Spring's list before, and they certainly won't be now. Get the Netherlands Music Institute disk - it's very good indeed; you won't be disappointed.

Thanks, Amphissa. I had a strong suspicion that a Soviet recording had existed at one time.

The English composer, Dora Bright (1863-1951) [see the British musicologist and champion of British music, Lewis Foreman's request for information about her at: http://www.musicweb.uk.net/classrev/2002/May02/bright.htm] wrote 2 piano concertos, the MS of one of which (No. 1 in A minor) is in the RAM. This has a superb Tarantella finale. I do wish someone would record it. This and her Variations on an Original Theme for piano & orchestra seem to be the only concertante works of hers to have survived. As well as the Fantasia in G (1892) mentioned by Lewis, there is a Suite of Dances for piano & orchestra, the second piano concerto in D minor and the Variations for piano and orchestra on a theme by MacFarren - all, apparently, lost, though the MacFarren Variations was published in a version by the composer for two pianos. The latter is extant and it is known that Dora Bright sanctioned performances of this version.