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Forthcoming from MDG

https://www.jpc.de/jpcng/classic/detail/-/art/joachim-raff-kammermusik-vol-1/hnum/10346434

The first two string quartets from Joachim Raff played by the Leipzig String Quartet. A new complete cycle?

cpo has announced to record all 8 string quartets by Karl Weigl, the first CD will contain the last two from the US exile. Nos 1, 3 and 5 were already recorded two decades ago by the Vienna-based Artis Quartet.

https://www.jpc.de/jpcng/cpo/detail/-/art/karl-weigl-streichquartette-vol-1/hnum/7971937

Already out is Capriccio's second installment of the symphonies, including a (I believe) first recording of No. 4 joined by No.6.

https://www.jpc.de/jpcng/classic/detail/-/art/karl-weigl-symphonien-nr-4-6/hnum/9483945

On first hearing I found No. 4 immediately attractive especially the final Adagio.

jpc announces the release of a new recording of Karl Weigl's 1st Symphony

https://www.jpc.de/jpcng/classic/detail/-/art/sinfonie-1-bilder-und-geschichten/hnum/9018224

A recording of all six string quartets of French composer Charles Gounod by the Quatuor Cambini-Paris is announced:

https://www.jpc.de/jpcng/classic/detail/-/art/integrale-des-quatuors-a/hnum/8192912

I am not sure whether this composer is considered being within the remit of this forum, but maybe his early works are. The 2nd symphony was composed in 1930/31 - four years after the impressive first - and although the forces are "smaller" we still talk about a Mahlerian Orchestra plus 3 timpanists, two pianos, an organ and - for the 5 min 3rd movement - 16 (!!!) Waldhörner. Very practical for a period when European economies were still struggling hard with the results of the financial crisis of 1929. The music is a strange mixture of Mahler, Scriabin, Schönbergs Gurrelieder and the symphony Franz Schreker never wrote plus some typical Brianesque oddities. Like most other symphonies of this composer it is perhaps not fully successful but impressive enough to merit attention. Especially with this new recording from Dutton with Martyn Brabbins conducting the RSNO which is marvelous.

http://www.duttonvocalion.co.uk/proddetail.php?prod=CDLX7330

If you are into piano quintets and looking for some unusual fare, the new CD by the Spanish Cuarteto Quiroga and pianist Javier Perianes might be a good place to look.
https://www.jpc.de/jpcng/classic/detail/-/art/piano-quintets/hnum/8299737
The Cuarteto Quiroga is on its way to become the second Spanish quartet of international fame after the Cuarteto Casals on the current market. Their first two CDs were focused on music not of relevance here and the third on Brahms, not really underrecorded. But their new Harmonia Mundi CD really has two gems in the two piano quintets by Enrique Granados and Joaquin Turina. Granados - mostly known for his piano music - wrote his quintet op. 49 at the end of the 19th century. The 3-movement piece shows some relation to the french music of that time and has an unusually attractive spanish-coloured middle movement. Turinas quintet - his op. 1 composed ten years later - is more on the Brahms side, starting unusually with a fugue. Both pieces on two hearings seem very attractive and suitable to become repertoire pieces. Standards of interpretation and recording are as high as they get today. Only complaint: there would have been enough space on this 51-minute CD to include some additional music, e.g. music for string quartet written by Turina.

Until recently I thought that Niels Gade had written 3 string quartets, they were recorded a while ago by the danish Kontra Quartet for BIS: http://www.bis.se/index.php?op=album&aID=BIS-CD-516. Recently however an early quartet showed up on a MDG recording with the Leipziger Streichquartett: https://www.jpc.de/jpcng/classic/detail/-/art/willkommen-und-abschied-streichquartett-op-27/hnum/6217082. (If you are a fan of Kafkaesque stories you should read how their 1st violinist Stefan Arzberger got trapped in a New York court case since one year: http://www.support-for-arzberger.com/en/the-arzberger-case/).

This quartet was written in 1840 and is in so far unusual for its time, since it is carrying a lyric program in form of a poem by Johann Wolfgang von Goethe "Willkommen und Abschied". Unfortunately Gade did not finish this work, so the final movement is missing and the end of the serenata scherzando had to be completed, but what is there (about 25 min) is really worth listening to. I see these three movements on the same level than the quartets of Mendelssohn and Schumann and as far as I remember they are also better then what Gade wrote later in this genre. The playing of the LSQ is as usual excellent. The second dish on this CD is Edvard Grieg's popular op. 27.