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Show posts MenuQuoteA mixed, but fascinating, selection for today - early British piano sonatas by Pinto, Donaldson and Potter, Henry Pierson's brooding and eccentric Symphonic Poem Macbeth (1859), Ethel Smyth's 1887 Cello Sonata, three works by Samuel Coleridge-Taylor, Haydn Wood's Apollo Overture and a suite of dances by Ernest Tomlinson.
Two of the Coleridge-Taylor items have slightly problematic sound: Meg Blane was recorded at a live amateur performance and suffers from some distortion in louder passages, whilst in the Five Choral Ballads the sound is very recessed (I remember that this was an inherent problem with the recording as originally broadcast) and noise-reduction is highly counterproductive. Originally heard in orchestral guise in 1905, the full score is unfortunately lost but it is well worth getting to know these very attractive and often moving settings of Longfellow's poems about slavery. A vocal score of Meg Blane can be downloaded from IMSLP (http://imslp.org/wiki/Meg_Blane,_Op.48_%28Coleridge-Taylor,_Samuel%29) - the orchestral parts of this stormy seascape were quite literally rescued by an enthusiast when Novello's were junking their archives prior to a move of premises and leaving such material on the road-side for waste-paper collection!
It is great to have these rare works in BMB and many thanks again to Martin Eastick for providing the original cassette tapes.