Has anyone else noticed the frequency with which BBC Radio 3 now broadcasts the music of Florence Price, usually accompanied by the host expressing amazement at how good her music is, or astonishment that it has lain unheard for so long? Now, I really don't have a problem with Price's music, it's pleasant if hardly exceptional, but it is galling that she is now getting such a disproportionate amount of attention when there are so many better unsung composers and compositions out there deserving at least a portion of the air time she's now receiving. Maybe I'm unduly cynical, but perhaps the fact that programming her music (as opposed to, say, that of William Grant Still or Samuel Coleridge Taylor) enables the BBC to tick not one but two "woke" boxes has something to do with it?