I thought this might be of interest. Widor may not be considered unsung for recordings of his organ works (including the ubiquitous Toccata from Organ Symphony No. 5); Daniel Grimwood has recently released a disc devoted to Widor's piano works. It contains the first recording of his Carnaval Op.61, doubtless inspired by that of Schumann. Full disclosure: I was involved in the genesis of this recording, so perhaps a little biased in my opnion, but I do feel that this music has much to say, and shines a light on a neglected corner of the piano repertoire.
A glowing review from Jeremy Nicholas in Gramophone: https://www.gramophone.co.uk/reviews/widor-piano-works-daniel-grimwood
Physical and digital copies available here: https://danacord.com/product/charles-marie-widor-piano-works/
cheers,
Daniel
That flattering review doesn't mention a crucial element I reckon: the sound quality of that recording is awful. I have to turn the volume up to hear the pieces decently and even so, the piano is not well captured at all and it shows. It's a pity because this part of Widor's work is something I was curious about, but the sonics just put me off.
Quote from: Tapiola on Monday 08 June 2026, 05:18That flattering review doesn't mention a crucial element I reckon: the sound quality of that recording is awful.
That is strange - I have listened to the physical disc a few times and haven't noticed any audio issues. Can I ask what media you're listening from?
Sorry for my delayed reply. I listened to it on Qobuz. On YouTube is the same, very low volume.
Music Web International also praised the "clear and vibrant sound" of the CD.
https://musicwebinternational.com/2026/04/widor-piano-music-danacord/
Maybe it's just something to do with the way Naxos has posted the YouTube tracks.