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The Schmidt 4 was performed two years ago by Kirill Petrenko and the BPO in Berlin, Salzburg and Luzern (I was at the performance in Luzern).

I heard the third Symphony in London last Friday (LPO, cond.Krivine) and I see another performance by the RPO on 21st of April.

A dance titled "Kolo" from the opera in object was recorded by Rudolph Kempe and the VPO and released various times. I have got it in  a EMI Icon box (11 Cds).

Freni recorded also a rather magnificent and fairly unsung work: La Canzone dei Ricordi by Giuseppe Martucci, with Muti and La Scala Orchestra (1996 release, much later re-released in a box)
As to personal memories, I am fond to have seen and heard Freni in Bohème, Nozze di Figaro (as Countess, conductor Abbado) and, much later, in Eugene Onegin and The Maid of Orleans (the last in 2002).   

Les Deux Pigeons (1886) by André Messager has since many years appeared to me unique in XIX French Ballet field for qualities of excitement, tunefulness, refinement. I appreciate especially the recording of the suite conducted by Chatles Mackerras. A little less the complete versions by Richard Bonynge (Decca) and John Lanchbery (Emi).

Maybe can raise some interest the revival in Cagliari, since next 31 January of Gino Marinuzzi third and last opera "Palla de' Mozzi".It was premiered at la Scala in 1932 and restaged sevearl times until 1942.
I ignore if a radio broadcast from the public channel RAI Radio Tre is foreseen.

My discovery for 2019 may be the Violin Sonata op.27 (1918) by Hans Pfitzner; a work whose acquaintance I have made quite recently through an elderly (2000) MDG release.
Admirable blend of impeccable craftmanship and beauty , and richness, of melodic invention (the latter I have not always associated with Pfitzner, whose knowledge by me is anyway far from great).

Schoeck, Respighi ("All'Antica" and Gregoriano), Wolf-Ferrari, Hahn, Arensky, Castelnuovo-Tedesco ("Italiano" and "I Profeti"), Berwald

Sorry.I meant the first Italian performances of Tristan und Isolde.

"The song of the Romagna BOAR" appears a mis-translation. It should be "The song of the Romagna cowherd".
Zuelli should have been a musician of merit. He won the contest in which Puccini "Le Villi" (or "Willis") got no award.
As conductor, he deputized for Martucci for some of the first performances of Tristan und Isolde.
I have never had notice of an actual performance of one Zuelli work.

I have recordings by him of Nielsen (clarinet Concerto), Debussy (Iberia) and several works of Grieg.
However I saw him in the concert hall, in my city, conducting Handel'sd Ariodante and Purcell,s Dido and Aeneas.

I would dedicate one word of remembrance to Jessye Norman.
She left a huge discopraphy, comprising also titles fit to this forum (Weber's Euryanthe, Verdi's Un giorno di Regno and Il Corsaro).
Irrespective of the idiom, I would also remember Faurè's Penelope.

Mantova is "Mantua" , the small town (some 50.000 people) where fictionally the opera Rigoletto is located.
On the web one may find hints also of the pianist, Giulio De Padova.
Obviously I share hope for a happy success for this very enterprising  project.

Under the above title, two unusual concerts will take place (each repeated twice) in the small town of Mantova.

9-10 November 2019
Franz Schmidt Symphony n.1
F.X. Scharwenka Piano Concerto n.2
Gernsheim Symhony n.3

25.26 January 2020
Reznicek Symphony n.4
Reinecke Symphony n.2
Zemlinsky Symphony n.1

Pianist, conductor and orchestra are only names for me.

Maybe for the third time (or even more)  I have to spend one word or two in praise of BBC Music , July release.
Indeed I suppose that the recording of Parry Fifth Symphony (which I like a lot since Boult's last recording) will widen much the knowledge of this splendid work and of its Composer.
I remember that BBC Music in the past already gave the fine "Elegy for Brahms".
(One word of praise also for the Moeran Symphony, known to me since remote LP days).