I've just listened to the first two piano concertos by Tcherepnin on the complete set of concertos with Murray Mclachlan on piano and the Chetham SO. (There is another complete recording with Noriko Ogawa on piano and the Singapore SO which also includes his symphonies).
What marvelous and exciting works. They are tuneful and vibrant both. On first listen I have a slight preference for the first, but enjoyed both immensely. I can't wait to listen to the other 4 piano concertos and then move on to the symphonies.
Here is a link to the Tcherepnin Society (both his father and son are composers as well).
http://www.tcherepnin.com/alex/bio_alex.htm
The bio says of his early style:
"In his works until about 1921 is found a hybrid style successfully linking the Romantic impetuosity (but not the Romantic textures) of Rachmaninoff and Scriabin with the grotesquerie of early Prokofiev. The result was fresh, imaginative music, such as the Bagatelles and Sonatine Romantique, that quickly made a reputation for the young composer. "
A cross between Rachmaninoff, Scriabin and Prokofiev sounds about right. It will be interesting to hear the progression of his style in the later works.
What marvelous and exciting works. They are tuneful and vibrant both. On first listen I have a slight preference for the first, but enjoyed both immensely. I can't wait to listen to the other 4 piano concertos and then move on to the symphonies.
Here is a link to the Tcherepnin Society (both his father and son are composers as well).
http://www.tcherepnin.com/alex/bio_alex.htm
The bio says of his early style:
"In his works until about 1921 is found a hybrid style successfully linking the Romantic impetuosity (but not the Romantic textures) of Rachmaninoff and Scriabin with the grotesquerie of early Prokofiev. The result was fresh, imaginative music, such as the Bagatelles and Sonatine Romantique, that quickly made a reputation for the young composer. "
A cross between Rachmaninoff, Scriabin and Prokofiev sounds about right. It will be interesting to hear the progression of his style in the later works.